judith weir miss fortune judith weir miss fortune

Select from premium Judith Weir of the highest quality. Privacy Policy Tina, their daughter Erin Gwyn Rossington (28 Feb & 4 Mar), Cleo Lee McGowan (2 & 7 Mar) . Only Anne-Marie Owens's Donna, who runs a launderette, and Hassan the kebab-van owner, beautifully sung by Noah Stewart (the closest we get to beefcake), show signs of humanity. But when the once wealthy Tina (a self-consciously red-headed but vocally resolute Emma Bell) turns on Fate (a wasted Andrew Watts) and halfway through this short and pointless evening enquires: Was it you who turned my life upside down? we know weve come precisely nowhere very fast. The Vanishing Bridegroom and Miss Fortune. . Judith Weir was born into a Scottish family in 1954, but grew up near London. Throughout the opera, in an impressive piece of singing, counter-tenor Andrew Watts sings a discordant overlay over the other music, reminding everyone that he is all-powerful and capricious. Claire Nicolas (freelance) Judith Weir (b1954 in Cambridge, England) first studied composition with a few lessons from John Tavener during her schooldays in London. . Julia Sanchez Merino Her music often draws on sources from medieval history, as well as the traditional stories and music of her parents' homeland, Scotland. Everyone is meaner, more downcast, more jubilant. Judith Weir CBE HonFRSE (born 11 May 1954)[1] is a British composer serving as Master of the King's Music. And yet the characters are archetypes who grovel in the dirt of clich. What doesnt change, at least in the 53 minute first act, is her accenting: the music is continually using devices to ratchet up the tension - chromatics, diminished and augmented chords. Its two central edifices the shape described above, as well as a big red louvred piece posed unsolved lighting problems, splitting instead of uniting the space. The upper floor of The Telephones split staging neatly morphed into Miss Fortunes roof top balcony where Harrison and Holyland made their mark as the nouveau riche parents of Tina. Christos Maltezos* She had taken a hiatus to focus her energies on a host of other endeavours including orchestral composition and leading the BBC's annual composer weekend at the Barbican in 2008. Gabriel Francis-Dehqani, Double Bass Nina Lim Julian Hepple. Find Judith Weir stock photos and editorial news pictures from Getty Images. 145 Miss Weir Photos and Premium High Res Pictures - Getty Images CREATIVE Collections Project #ShowUs Creative Insights EDITORIAL VIDEO BBC Motion Gallery NBC News Archives MUSIC BLOG BROWSE PRICING ENTERPRISE VisualGPS INSIGHTS BOARDS BASKET SIGN IN Images Images Creative Editorial Video Creative Editorial FILTERS CREATIVE EDITORIAL VIDEO Did the huge generic trapezium in the middle of the stage represent the dizzying moral precipice over which we mortals all too often hurl ourselves, especially in the name of making opera? For Rap read rhyming couplets. Want to bookmark your favourite articles and stories to read or reference later? Composer Judith Weir tells the story to her latest opera Miss Fortune at a recent Insights event at the Royal Opera House. Judith Weirsoperais a story aboutTinaand how her life dramaticallychanges course overnight; it is a story aboutfateand fortune. During this time she began to write a series of operas (including, As resident composer with the City of Birmingham Symphony Orchestra in the 1990s, she wrote several works for orchestra and chorus (including, In recent years, Judith Weir has considerably expanded her choral catalogue, with regular performance by choirs worldwide of music such as her Christmas carol. Despite the lively productions and well-defined characterisations, I was disappointed by the poor diction and overbearing orchestral support in Miss Fortune. Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in, Find your bookmarks in your Independent Premium section, under my profile. slogan. [12], Weir's musical language is fairly conservative, with a "knack of making simple musical ideas appear freshly mysterious". Voices & Orchestra. Judith Weir explains why her latest work a parable about the financial crisis had to have them, Original reporting and incisive analysis, direct from the Guardian every morning, Straitened times Emma Bell and Anne-Marie Owens in Miss Fortune. Sad because Weir's folk inspired fables have won many friends, sad because she is a composerly composer whose luminous orchestral backdrops and singable vocal lines display an honest talent that never hides behind overworked technique. Miss Fortune Operas. She was an oboe player, performing with the National Youth Orchestra of Great Britain, and studied composition with John Tavener during her schooldays. The most recent opera is Miss Fortune, premiered at Bregenz in . Right next to it was the ubiquitous fingers-crossed Lottery sign with its jaunty "Play here!" Popularly known as the Musician of United Kingdom. The score was published by Novello in 1982, and lasts under ten minutes, making it one of the shortest operas, and is possibly unique in having . Florian Panzieri as the kebab seller Hassan impressed with his clear tenor and mezzo-soprano Laura Fleur as Donna brought verisimilitude to her scenes at the laundrette. Digory Price After this she spent several years working in schools and adult education in rural southern England; followed by a period based in Scotland, teaching at Glasgow University and the Royal Conservatoire of Scotland. A. EC2Y 8DT. The language needs sharpening to show us that this is satire. London Appointed in 2014 by Queen Elizabeth II, Weir is the first woman to hold this office. Judith Weir's Miss Fortune at Covent Garden By David Karlin, 13 March 2012 There's usually plenty of hype surrounding a newly written opera performed at Covent Garden, but the carefully placed stories about Judith Weir's Miss Fortune are on the improbable end of the scale, featuring a flying kebab shop and a team of breakdancers. Sad to say but Judith Weirs sixth opera is an embarrassment. The darker side of the "alienating effects of modern urban life" (as designer Anna Reid's programme note summarises both operas) are explored in Judith Weir's Miss Fortune (2011) based on a Sicilian folk story and dramatising a serious reversal of fortune and circumstances as its punning title implies, through the personified figure of fate. Despite the layoff since summer, the staging soon exuded a dance-like motion we hadn't seen before. Do you remember your first pieces? From 1995 to 2000, she was Artistic Director of the Spitalfields Festival in London. I hope that does not mean more trapeziums, please. Nicole Ma, Percussion I've had the misfortune of reading a few reviews already, and so far I seem to be flying solo on actually recommending it - but I do think the basic ingredients are there. Amongst her priorities in this role are the support of school music teachers, of amateur orchestras and choirs, and of rural festivals. Photograph: Tristram Kenton, as it a plane, a boat or a train? My reworking begins with a financial crash and ends with an unlikely lottery win yet I didn't set out to write a piece about contemporary events. Judith Weir's Miss Fortune did not have a favourable reception when it premiered at Covent Garden in 2012, considered by some ill-suited to the Royal Opera House and lacking the musical engagement of her previously melodically rich operas and a decent libretto. She has been commissioned by the Boston Symphony Orchestra (Music Untangled and Natural History) the Minnesota Orchestra (The Welcome Arrival of Rain) and the London Sinfonietta (Tiger under the Table); and has written concert works for some notable singers, including Jane Manning, Jessye Norman, Dawn Upshaw, Alice Coote, Ailish Tynan and Ruby Hughes. JUDITH WEIR AT 70 OPERAS. . Judith Weir was appointed Master of The Queen's Music, in succession to Sir Peter Maxwell Davies, in July 2014; and in January 2015 became Associate Composer . Oliver Mears' new production of Britten's chamber opera is a visceral reflection on tyranny and sexual violence. On 21 July 2011, her first opera for 17 years, Miss Fortune (Achterbahn), premiered at the Bregenz Festival in Austria. But this encyclopedic experience helps. Watch online from 25 March. Find the perfect Judith Weir stock photos and editorial news pictures from Getty Images. It will help us make your newsletter content more useful. 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Yes, Tom Pye's design was beautiful, but stylised beyond the world of the circumstantial it could have accommodated any opera from Parsifal to Madama Butterfly. This is a libretto which vacillates between the banal and the unintentionally comedic (or is that irony?) Miss Fortune in name and deed. As resident composer with the City of Birmingham Symphony Orchestra in the 1990s, she wrote several works for orchestra and chorus (including Forest, Storm and We are Shadows) which were premiered by the orchestras then Music Director, Simon Rattle. Aoife Moran My first pieces were at secondary school. 5, Rimsky-Korsakov Legend of the Invisible City of Kitezh LSO/Noseda. On 30 June 2014, The Guardian stated that her appointment as Master of the Queen's Music,[5] succeeding Sir Peter Maxwell Davies (whose term of office expired in March 2014), would be announced;[6] this was officially confirmed on 21 July. Her most recent opera, Miss Fortune, which opened in 2012, was . Benedict Swindells* Judith Weir CBE (born 1954) is a British composer and the first female Master of the Queen's Music. Presented byGuildhall School of Music & Drama. Full marks on all fronts. Welsh National Opera's Youth Opera were due to perform Weir's opera The Black Spider in Spring 2020 but due to unforeseen circumstances, performances were cancelled. Opera on 3 Judith Weir's Miss Fortune. Frustration, frivolity and humour were all brilliantly served with a ready spontaneity that, with the chamber orchestras crisp playing, made this a delightful hors doeuvres for the darker humour of the evenings main event. Mae Weir wedi ysgrifennu sawl opera llwyddiannus, gan gynnwys The Black Spider (1985), A Night at the Chinese Opera (1987), Blond Eckbert (1994) a Miss Fortune (2011). More information, Don't have an online account? Judith Weir's most recent major work is her opera Miss Fortune, which received its first performances on July 21, 2011 at the Bregenz Festival, directed by Chen Shi-Zheng and designed by Tom Pye. Select from premium Judith Weir of the highest quality. Thereafter, she encounters various low wage earners sweatshop workers (a chorus of seamstresses), a fast-food vendor (Florian Panzieri) and a laundrette owner (Laura Fleur). Judith Weir - Miss Fortune [Achterbahn] (2011) - YouTube 0:00 / 1:23:43 Judith Weir - Miss Fortune [Achterbahn] (2011) 2,550 views Oct 17, 2015 Digital broadcast from BBC Radio 3 .more. Manon Ogwen Parry Secondly and crucially, Weir turns Fate into a very real and live person. Everything about Miss Fortune is benign and comfortable - even Tom Pyes eye-catching geometric designs are thoroughly alienating, a garment sweatshop spotless and sanitised like the Royal Opera have re-deployed the spinning chorus from their last production of The Flying Dutchman. For more information visit their website, Hear music by Judith Weir online at Spotify. And the greatest irony of all - Miss Fortune wins the lottery. In collaboration with director . Aina Miyagi Magnell Beri Valentine, Stage Management Props Supervisor By contrast, the premiere production (as often happens) seemed to be aiming at a left-field reimagining of a piece which no-one had yet seen. She has subsequently written one more "micro-opera", three full-length operas, and an opera for television. But this time round, it seemed even more relevant than to pay onstage attention to this subject. Ivelina Ivanova The once-rich little heroine, dogged by cruel Fate, becomes a low-wage earner cue sweatshops, ironing boards, an imploding fast-food van. S,Mz,Ct,T,Bar,bbar + 2(II:pic).1.3(III:bcl).1+cbn/, A series of performances taking place in London over the coming weeks shines a spotlight on the rich and varied output of composer Judith Weir, Spotlight on Judith Weir including orchestral works, opera and a world premiere. Our heroine is clad in a bright red dress - the Chinese colour for luck - which makes her a constant point of focus through the action. [4] She received the Lincoln Center's Stoeger Prize in 1997, the South Bank Show music award in 2001 and the Incorporated Society of Musicians' Distinguished Musician Award in 2010. Andr Soares YouTube Encyclopedic. Silly and naive. Josh Law In recent years, Judith Weir has considerably expanded her choral catalogue, with regular performance by choirs worldwide of music such as her Christmas carolIlluminare, Jerusalemwritten for Stephen Cleobury and the choir of Kings College Cambridge. The booking fee may be reduced on certain events. One of these days someone might actually commission one of the many young composers at the sharp end of musical theatre - creative song writers with their finger on the pulse of contemporary living. In spite of all this, the libretto has some decent moments, particularly in the short second act in which Weir lets her hair down a little. Miss Fortune (band), an American band Miss Fortune (album), a 2002 album by Allison Moorer Miss Fortune, an opera composed by Judith Weir "Miss Fortune", an episode of Ghost Whisperer "Miss Fortune", a song from the album Distance Inbetween by The Coral Miss Fortune, a character from the video game League of Legends See also [ edit] Classical. Jamie Hulme Her struggles are closely shadowed by Fate sung by counter-tenor Kieron-Connor Valentine. Judith Weir. Sad to say but Judith Weir's sixth opera is an embarrassment. But when the once wealthy Tina (a self-consciously red-headed but vocally resolute Emma Bell) turns on Fate (a wasted Andrew Watts) and halfway through this short and pointless evening enquires: Was it you who turned my life upside down? we know weve come precisely nowhere very fast. Charlotte Antingham Each time her luck seems to take a turn for the better, she is beset by another misfortune until eventually, through a magical stroke of luck, she gains the hand of a prince, in town to collect his laundry. When the curtain rose on the UK premiere of Judith Weir's. Menottis parade of operatic models coloratura showpiece, rage aria and lament were effortlessly pointed up and the rapport between the singers was communicated with both tenderness and impatience. Jack Garner-Greene In 1987, her first half-length opera, A Night at the Chinese Opera, was premiered at Kent Opera. Tina (Miss Fortune) - Emma Bell. full of truisms and clunky metaphors and for all its images of deprivation and violent disorder is about as streetwise as a visitor from Venus. Paula Guerra She struggles, wins the lottery, casts aside money and goes off with the handsome prince, in his mercifully clean shirt. Sara Mohr-Pietsch presents a performance of Judith Weir's opera Miss Fortune. Sad to say but Judith Weirs sixth opera is an embarrassment. Judith Weir. In a face-off between Gabriele Viviani's Scarpia and Malin Bystrms Tosca in this solid revival of Jonathan Kent's 2006 production, there could only be one winner. She is the composer of several operas (written for Kent Opera, Scottish Opera, ENO and Bregenz) which have been widely performed. If your booking contains several events the highest booking fee will apply. Last month, as we reconvened in London to rehearse for this week's UK debut, conductor Paul Daniel considered the problems. Issy Jordan When the curtain rose on the UK premiere of Judith Weir's Miss Fortune at the Royal Opera House, one thing at least was clear: this bright, coarse staging by Shi-Zheng Chen would flog the living daylights out of the opera's frail, pale construct, inflate it grotesquely beyond its natural size and, by this eye-catching but totally irrelevant visual aeration, render it all but nonsensical. For Guildhall School performances please use the Guildhall School entrance on Silk Street. Expressive of face and voice this champagne-quaffing pair fulfilled their roles with suitable vulgarity. Judith Weir. Judith Weirs Miss Fortune did not have a favourable reception when it premiered at Covent Garden in 2012, considered by some ill-suited to the Royal Opera House and lacking the musical engagement of her previously melodically rich operas and a decent libretto. She was an oboe player, performing with the National Youth Orchestra of Great Britain, and studied composition with John Tavener during her schooldays. The opera reworks a Sicilian folktale as a contemporary parable. Judith Weir Miss FortuneLord Fortune Jacob Harrison, Lady Fortune Amy Holyland, Tina Erin Gwyn Rossington, Fate Kieron-Connor Valentine, Hassan Florian Panzieri, Donna Laura Fleur, Simon Jack Holton; Director Martin Lloyd-Evans, Conductor Dominic Wheeler, Designer Anna Reid, Lighting Anthony Doran, GSMD Orchestra. In January 2008, over fifty of her works were performed during 'Telling The Tale', a three-day retrospective of her music, hosted by the BBC Symphony Orchestra at the Barbican Centre, London. But with few exceptions Weir has created cardboard characters that neither claim our attention nor engage our sympathy. Allegra Totaro-Wainwright, Assistant Scenic Artists Two days after this premiere, the Royal Opera House announced the 2012/2013 new season and defended contemporary work as adventure, not measured by normal standards of success. [10] In 2018 she was elected an Honorary Fellow of the Royal Society of Edinburgh. Paul's Episcopal Church, Burlingame, CaliforniaThe Tree of Peace is by the contemporary English composer Judi. In 2008, as I began writing, I walked past a sandwich board bearing the headline: "Blind panic as shares crash." We must question the ROH artistic management, perhaps caught in a transitional zone between the departure of Elaine Padmore and the arrival of Kasper Holten as director of opera. Rodrigues What you think of Miss Fortunes music will depend very much on personal tastes: I found it music to admire rather than to love. The most recent opera is Miss Fortune, premiered at Bregenz in 2011, and then staged at the Royal . The Silk Street Theatre, Music Hall and Lecture Recital Room arelocated in the main Guildhall School building on Silk Streetand for Barbican produced events the venuecan also be accessed from the Barbican if you exit via the doors next to Barbican Kitchen on Level G. Address Violetta Suvini* Judith Weir CBE (born 1954) [1] is a British composer and the first female Master of the Queen's Music. Caroline Moores, Head of Recording & Audio Visual In a stunning setting and scenery to rival these beautiful surroundings, Miss Fortune, the work of British composer Judith Weir, retraces the twisted steps of its bewildered female protagonist. Molly Hands, Assistant Carpenters MISS FORTUNE is a contemporary re-telling of a Sicilian folk story. Judith Weir's music is published by Chester Music and Novello & Co. Stanley Olden, Scenic Art Co-ordinator Each time her luck seems to take a turn for the better, she is beset by another misfortune until eventually, through a magical stroke of luck, she gains the hand of a prince, in town to collect his laundry. Fate Kieron-Connor Valentine Serendipity, rather than the fate which clings to the protagonist of Judith Weir's Miss Fortune, led me to catch the last night of a double-cast spectacular at the Guildhall School of Music and Drama.What a tonic to find a top-notch young cast and orchestra working their disciplined socks off for conductor Dominic Wheeler and director Martin Lloyd-Evans after the dog's dinner of English . Richard Jones' production is visually all over the place, but in a good way. Vanessa Lingham, Stage Management Supervisor What a waste of talent and resources. When her life's course turns from bad to worse, she makes a date with Fate. Miku Yasukawa Judith Weir was born into a Scottish family in 1954, but grew up near London. Since a central theme of Miss Fortune is the big part accident and chance play in life, I wanted to write a role for Fate, who emerges from the shadows whenever events take a downward or upward turn, accompanied by his own personal cloud of chaos. Weir, Judith. Hoodies and drug dealing delineate subsequent reversal of fortune for Tina whose seamstress colleagues (vocally in fine fettle) provided an opportunity for some highly effective choreography. She was commissioned to compose an a cappella work for the state funeral of Elizabeth II on 19 September 2022, and wrote a setting of Psalm 42, "Like as the hart".[17]. Lydia Haynes SATB Choir and Organ Book Only Classical Composed by Judith Weir (1954-). Never louder than lovely would have been welcome for Weirs contorted vocals lines. Thus assured, they hurl themselves down with even greater animation. Natalie Alfille-Cook The subject of this piece was inspired by the Barbican building itself she describes it as 'an imaginary excavation of the Barbican Centre, burrowing through 2,500 years of historical rubble'. Memoirs of an Accidental Film Artist. So I arrived at Miss Fortune without any real idea of what I was going to get. In fact, I think you should go. Based on a Sicilian folk tale, Miss Fortune has some of the elliptical angularity of Weir's successful A Night at the Chinese Opera (1987). Biography. Join thought-provoking conversations, follow other Independent readers and see their replies. Georgia Lloyd* But I personally have been feeling thoroughly revived after GSMD's energy-giving version of my 2011 opera "Miss Fortune" which opened at the beginning of March. Edward Seckerson in The Independent (London) wrote of "Miss Fortune in name and deed" and described the opera as "silly and naive" and "a waste of talent and resources", with a libretto that "vacillates between the banal and the unintentionally comedic (or is that irony? Judith Weir Judith Weir was born into a Scottish family in 1954, but grew up near London. Commissioned by the Bregenz Festival and the Royal Opera House, Covent Garden. She has a large catalogue of performed works to her name, which will silence any who doubt her considerable gifts, especially vocal. Holly Woods 1 / 3. Weir is a warmly admired composer, modest in manner but gritty in ambition, as anyone in her field has to be first to achieve, second to survive. Winter Song. As associate composer with the BBC Singers (2015-19) she completed two oratorios; In the Land of Uz, about the prophet Job; and blue hills beyond blue hills, to Zen-influenced verse by the Scottish poet Alan Spence. WEI. Bass clarinet The work was made in co-operation with Margaret Williams. Most hurtle down the chute at once, all limbs flailing, and plunge straight into the wheelie bin of oblivion. Last year's Bregenz staging, the work's world premiere, was an opportunity to take strong action. Our website uses cookies to give you the best possible experience. A recording of this production will be available to watch online for free after the performances. Kosta Popovic Silly and naive. But Miss Fortune is warm and fuzzy where it should be hard and edgy, its a social fable with contemporary resonances in everything but its words and music, and worst of all its an adult opera which sounds like its spoon feeding amateur philosophy to a child. Whilst there is nothing especially laudable . In 2007, she was the third recipient of the Queen's Medal for Music. Published by Chester Music (HL.14035701). Members do not pay booking fees. The most recent opera is Miss Fortune, premiered at Bregenz in . Born: 11 May 1954, United Kingdom Died: NA Country most active: United Kingdom Also known as: NA Judith Weir was born into a Scottish family in 1954, but grew up near London. The result is closer to a classical myth in which the central message is that theres no point arguing with the gods. The opera reworks a Sicilian folktale as a contemporary parable. . The best in live events, streams, reviews and articles recommended by our editors, delivered to your inbox weekly. What a waste of talent and resources. By the end of the act, I was finding it all rather wearing, and theres little in the way of flowing vocal lines to lift the heart. Sad because Weirs folk inspired fables have won many friends, sad because she is a composerly composer whose luminous orchestral backdrops and singable vocal lines display an honest talent that never hides behind overworked technique. Josephine Lockwood Night AT the Chinese Opera (A) (1987) Operas. 1 / Symphonic Dances Philadelphia Orchestra/Nzet-Sguin, GRAMOPHONE Review: Nielsen Symphonies 1 & 3, 4 & 5 Danish National Symphony Orchestra/Luisi, GRAMOPHONE Review: Stravinsky Symphony in Three Movements, Symphony in C etc. Judith Weir is a Honorary Patron for Sound and Music. Miss Fortune in name and deed. In July 2014 Judith Weir was appointed to the 395-year old royal post of Master of the Queens Music, in succession to Sir Peter Maxwell Davies. At the time, I was writing a chorus number called We Didn't See It Coming. Biography Weir was born in Cambridge, England, to Scottish parents. At least that was Weirs intention to be relevant and in touch. A chance lottery win enables her escape from poverty, and like all good fairy tales, she goes off into the sunset with the handsome prince, Jack Holton whose paean to a freshly laundered shirt made one of the few amusing moments. [13] Her first stage work, The Black Spider, was a one-act opera which was premiered in Canterbury in 1985 loosely based on the short novel of the same name by Jeremias Gotthelf. A new production of an earlier opera is always welcome news, to its composer at least, and it doesn't feel right to term these "revivals" - implying that resuscitation or even raising from the dead has been necessary. Phil Sizer, Staff Production Manager She was an oboe player, performing with the National Youth Orchestra of Great Britain, and studied composition with John Tavener during her schooldays. Tell us a little about the opera. Original reporting and incisive analysis, direct from the Guardian every morning, Unsolved problems: (l-r) Kathryn Harries, Alan Ewing and Emma Bell struggle to make an impression at Covent Garden. Charlie Broad This product includes GeoLite2 data created by MaxMind, available from, Orchestra of the Royal Opera House Covent Garden, Semyon Bychkov leads a musically superior, To add a comment, please sign in or register. The gap between failure and success in the theatre can be as narrow as a hair's breadth. Called Miss Fortune, the story is about money, fate and fortune. Judith Weir is a composer who, despite a huge body of work that ranges from grand operas to piano concertos to songs for children, has never sought the limelight. woman.life.song. Now in her 50s, she is too experienced, too knowledgable about the bloodied history of most operatic endeavour to have expected to get off lightly. Music Sales America. Galleries. Tina's wealthy family lose all their possessions overnight and she is thrown into a life of poverty. It was a co-production with the Royal Opera, Covent Garden, London, and was written in English. You can contact him from. . I cannot find much to redeem Miss Fortune in its current form. [2] See something missing? Even Fate (countertenor Andrew Watts), with his "cloud" of street dancers, is no more than a mildly creepy stalker. Vanishing . She was an oboe player, performing with the National Youth Orchestra of Great Britain, and studied composition with John Tavener during her schooldays. Location Pedro Marques During this time she began to write a series of operas (including King Haralds Saga, The Black Spider, A Night at the Chinese Opera, The Vanishing Bridegroom and Blond Eckbert) which have subsequently received many performances in the UK, Germany, Austria, the Netherlands, Belgium and the USA. Lady Fortune - Kathryn Harries. No fee when tickets are booked in person. [11] In 2023, Weir was announced as one of the composers who would each create a brand new piece for the Coronation of Charles III and Camilla.